The beginning of this section really caught my attention because it talks about movement within art pieces. I absolutely love kinetic pieces, and am actually working on one here on the campus....
Anywhom, it was really intriguing to know the detail behind how and why an artist made their piece move the way it does. Especially Marcel Duchamp (pg 18).
1967 Must have a been a great year for Pink Floyd, to finally realize that they can put their drug feelings into perspective for the rest of the rock culture to see. Psychedelics really hit the scene about then, and that was a great time to experiment with video performances to people whom were under the influence.
Now, the section that really caught my attention actually was the section about "Charged Environments".
- This is today's culture! Every artist demands acts of perception, or a reason. But sometimes there really isn't one.
J.A. Wheeler has a very good point " "To describe what has happened one has to cross out that old word "observer" and put inits places "participator" (pg28)
This has very very very strong meaning, because with the rise of digital arts the observer of a (painting) per say, has now become and interactive piece in a digital realm allowing the observer to participate in the exhibited piece.
There is no primary relation now to just one piece of art, because art ranges SSSSSSSOOOOO wide this world that the definition of ART changes in everyone's eyes.
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